The Canon vs. Nikon debate is probably going to last as long as photography will. No matter what type of photographer you are, you've most likely been involved in one of these debates at least once.
(Success Tip #1: Get a new photo challenge for each week of the year.)
As far as the point of it goes, it’s best to let everyone have their own opinion. I for one have used both systems for many years and the only thing I've learned from it is that I need to become a better photographer because neither Canon or Nikon will make me a better photographer.
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Which is Better? The Canon 5DMK III or the Nikon D750?
With all that said, this is a question that has been filling online forums for a few months and I'm sure is getting a fair share of debates in real life as well. Which is better, the Nikon D750 or the Canon 5D MarK III?
First of all, it's important to note that photographers asking this question either have no problem switching from one system to another, or are in the process of upgrading from an entry level DSLR or a compact camera.
It is my personal opinion that if you do own a few lenses from any of the systems, and I'm talking about decent or pro lenses not plastic, stick to that system. It is ultimately the glass that makes the difference in image quality, not the camera.
Moving on in this challenge, let's start by introducing the 5DMK III. It is currently the workhorse of many professionals all around the world. The reason for that is that it can do a lot of stuff at professional level. It is a fantastic tool for stills and it's also the choice of many videographers and cinematographers. While it might not be the latest pro DSLR to hit the market (it was introduced in March 2012), it looks like it's going to be around for at least a couple of more years.
On the other side, we have the recently introduced Nikon D750. There are two things you will first notice when comparing these two cameras: the Nikon has a tilting screen and it costs $1000 less.
Comparing the 5DMK III to the D750
That instantly makes this competition interesting. But comparing two cameras is a game of numbers. Thus, the Canon 5D MK III has a 22 megapixel full frame sensor, a 61 point Autofocus system with 41 of those points being cross type and a respectable burst rate of 6fps.
(Success Tip #1: Get listed here and clients will come to you.)
The D750 has 24 megapixels, giving a very similar image size, a 51 point AF system with 15 of those points being cross type and a slightly faster burst rate of 6.5 fps.
As you can see, some of the most important features are quite close, but no real camera comparison can be valid without a proper field test.
See more specs about the Canon 5DMK III here.
See more specs about the Nikon D750 here.
Video Review: Canon 5DMK III vs Nikon D750
MichaelTheMentor has done a thorough comparison between these two cameras that might help you decide which is better for your needs.
Speaking of needs, they are the first thing you should take into account before buying a camera. Forget about how new or how big it is. If it can do a good job and serve you well it is the correct choice for you. Good luck!
This post about "Canon 5DMK III vs. Nikon D750" was first published on our website here https://www.photographytalk.com/photography-articles/4964-canon-5dmk-iii-vs-nikon-d750-which-camera-to-buy
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Unless you've been living under a rock recently, you no doubt know that Nikon recently unveiled their D850 DSLR camera.
It's a fantastic camera, to say the least, and has already established itself as one of the best cameras Nikon has on the market today.
In fact, it's one of the best cameras that they've ever produced.
That this camera is so good certainly has the likes of Canon concerned.
So, they'll really need to bring it when they unveil the EOS 5D Mark V.
Now, the Mark V isn't out yet, nor is there an official release date. But the rumors are running hot, so I thought it would be fun to compare what we know about the Nikon D850 with what people expect from the Canon 5D Mark V.
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Essential Features: Nikon D850Key Specs:
There's a lot to love about the key specifications listed above.
But paramount among them is the Nikon D850's incredible sensor.
Not only did Nikon step it up with more megapixels than on the D810, but it also added a back-illuminated sensor, a first for Nikon.
To say that those were good ideas is an understatement...
In fact, DxOMark gave the D850's sensor a perfect 100/100 score - a first.
That makes this sensor better than the acclaimed Sony a7R II (98/100) and the Nikon D810 (97/100).
DxOMark went so far in their review to say that the D850's sensor "breaks new ground for image quality." That's not a bad endorsement!
Editor's Tip: Since the D850's sensor produces images of unparalleled quality, you want to pair it with a top-quality lens. The Nikon AF-S 35mm f/1.4G certainly fits the bill, with a wide, fixed f/1.4 aperture, upgraded optics, and lightweight construction that will make it the top choice of your collection of lenses. With versatility that allows it to be used for landscapes, portraiture, and everything in between, it's one of Nikon's best lenses to go with one of it's best cameras. You can learn more about the Nikon AF-S 35mm f/1.4G by visiting MPB.
The D850 delivers in other areas as well.
Its sensor produces beautiful colors, excellent dynamic range, and offers ISO performance that's virtually unmatched.
That makes it an ideal camera for photographers of all trades, from studio portrait photographers to sports photographers to nature and wildlife photographers.
Another area where the D850 shines is in its autofocus system.
Powered by a Multi-Cam 20K sensor, its autofocus system sports 153 AF points, 99 of which are cross-type.
All those cross-type sensors means that the D850 excels in situations in which you're photographing a moving subject.
It can shoot at 7fps (9fps with a battery grip), so it's a beast when it comes to rapid-firing your shots.
Editor's Tip: If it's a high-performance lens you're after for action photography, look no further than the Tamron SP 70-200mm f/2.8 Di VC USD Lens. Its large f/2.8 maximum aperture enables shooting even in low-light situations. Its superior optics are perfect for the Nikon D850's sensor, resulting in images that have impeccable quality. The ultra-sonic motor and vibration compensation features mean it's not just fast, but quiet and stable as well. Get the specs and pricing on this and other Nikon-fit lenses.
This rig has a slew of other incredible features that simply make it easier to use - and more fun to use as well.
That includes dual card slots - one for UHS-II SD cards and another for XQD cards.
It can shoot 4K video at 24, 25, or 30fps, too.
Its LCD is bigger, more resolute, and can tilt. It's also touch-enabled and even offers touch AF in live view. See that and other awesome features on the D850 in the video above by Kai W.
Throw built-in focus stacking, RAW processing, focus peaking, and a buffer that can handle 170 RAW files, and you have the makings for one heck of a camera.
Oh, it's got illuminated buttons, too!
The question is, can Canon come up with something to compete with all that?
Learn More:
Essential Features: Canon 5D Mark VKey Specs (Rumored):
Granted, there's nothing concrete as of this writing about the Mark V's specifications.
But in looking at the 5D Mark IV's spec sheet, we can surmise a few things.
First, the 5D Mark V will have 4K video capabilities without a doubt. That's where digital cameras are headed, and if Canon wants to keep up with Nikon and Sony, 4K video is a must.
Another virtual guarantee is that the Mark V will have at least 7fps shooting, if not much more, possibly in the 10fps range.
Since the Mark IV is equipped with the DIGIC 6+ processor and newer Canon models have the DIGIC 7, it's also reasonable to assume that the Mark V will have the 7+ or perhaps even an all-new DIGIC 8 processing engine.
Editor's Tip: If you're a Canon shooter looking for an excellent all-around lens, consider the Canon 24-70mm f/2.8 L II USM. As an L-series lens, it has upgraded optics and sturdier construction. The large f/2.8 aperture allows tons of light into the lens, making it a great choice for low-light shooting. And with a focal range of 28-70mm, it's an incredibly versatile lens that can be used for all manner of photography pursuits. You can even find this lens at discounted prices. Check inventory of pre-owned models here.
Beyond that, things get a little murky.
Some rumors point to an all-new carbon fiber body that will be lighter and more durable while retaining a similar form factor to the Mark IV.
It's also expected that Canon will update its LCD offering, to something in the range of a 3.2-inch articulating touchscreen not unlike the one found on the Nikon D850.
I think it's also safe to say that the Mark V will exceed the 50-megapixel mark, given that the 5DS and 5DS R have already done that.
That will be an interesting addition to the 5D Mark V, placing it above the Nikon D850 in terms of megapixels.
Also of interest is the potential for the camera to feature in-camera image stabilization, which would be nice for all those non-IS lenses you might have.
Editor's Tip: If you need an image stabilized lens, you can trade in your old one and put the money you get from that towards a new-to-you used lens. The Canon EF 70-200mm f/2.8 L IS USM is a great telephoto lens for sports and wildlife photographers that want a lens that's stabilized, has a large aperture, and offers a wide zoom range. You can check out the prices on pre-owned 70-200mm f/2.8 lenses as well as other Canon lenses by visiting MPB.
There aren't many other rumors yet about the Canon 5D Mark V, but the hot stove is sure to heat up the older that the Mark IV gets - and the more accolades that the Nikon D850 gets as well.
The 5D Mark IV is barely more than a year old, and considering that it debuted more than four years after the 5D Mark III, Canon fans may have a long wait in store for the 5D Mark V to arrive.
In the meantime, perhaps the best way to judge what the 5D Mark V might have in store for us is to examine more closely what the 5D Mark IV offers.
You can get a quick look at some of the top specs of the Mark IV in the video above by MPB.
Learn More:Nikon D850 vs Canon 5D Mark V Head to Head
I know it's just speculation, but it's still fun to see how these two cameras *might* stack up once the 5D Mark V is released.
As you can see, if Canon puts out anything near to what's being rumored, it looks like these cameras will go toe-to-toe.
As previous versions of these cameras - the D810 and the 5D Mark III, for example - have shown, Nikon and Canon will surely continue to battle it out for supremacy in the high-end DSLR market.
But instead of supremacy, it seems to me that we're seeing them far more even-keeled and putting out cameras that are much more alike than they are different.
I suppose only time will tell if the D850 and Mark V are as closely aligned as I think they'll be!
This article about "The Nikon D850 vs the (Rumored) Canon 5D Mark V" was first published on our website here https://www.photographytalk.com/photography-articles/8021-the-nikon-d850-vs-the-rumored-canon-5d-mark-v from https://photographytalkcom.blogspot.com/2020/07/the-nikon-d850-vs-rumored-canon-5d-mark.html
A Whole, New Animal.
The Canon EOS 7D may appear to be similar to the EOS 50D, but, upon close inspection, it is much more than a simple upgrade. Canon is attempting to regain its prominence among cameras with APS-C sensors, which it first won with its X0D line of cameras (10D, 20D and 30D). By naming this model the 7D instead of the 70D and revamping the camera’s features and capabilities, Canon clearly wants the marketplace to think of the Canon 7D as a new beginning and not a simple extension of the X0D series.
Read reviews from Canon EOS 7D owners HERE.
Improved Viewfinder.
The new viewfinder in the 7D offers 1.0X magnification and 100% coverage, which is a significant advance over the EOS 50D’s 0.95X, 95% finder. The 7D’s viewfinder even matches the Nikon D300S, without the need for the Nikon’s focal-length multiplier to boost the .094X view to 1.0.
Design and Manufacturing Integrity.
The Canon EOS 7D is tightly constructed with magnesium parts, just as the 5D Mark II. The 7D body weighs just a bit less than a pound and a half (820g), with no batteries or memory card added. Canon has designed the 7D with an excellent grip, making it as easy as possible to hold, even during long shoots.
Exterior Controls.
The EOS 7D body may not look much differently than the 50D or 5D Mark II until you examine the exterior controls. The buttons are large, which will be most appreciated during cold weather and when wearing gloves. Canon wants the 7D’s moviemaking capabilities to be considered a primary purpose of this camera, so it added a new control to switch from live view to video-recording mode and a button to start and stop their operation.
A Powerful 18-Megapixel APS-C CMOS Sensor.
The EOS 7D’s 18-megapixel sensor is considerably bigger than the 50D’s 15.1-megapixel sensor, but not as large as the 21-megapixel sensor in the 5D Mark II. Even with that three megapixel difference, the 7D still produces excellent images and depth of field, making it much superior to any compact camera and many DSLRs.
LCD Screen and Control Panel.
The 921,000 dots of the EOS 7D’s LCD screen certainly produce a sharp view, but with the addition of the most recent gapless technology, there are very few internal reflections that typically impair contrast. The expansive LCD control panel, viewed at the top of the body, displays all the important camera settings and exposure data. The main numeric section of the panel serves a dual purpose by also showing other data, such as the “Busy” warning, AF point selection etc. It’s easier to read the metering timeout period with an orange light that is activated via the lamp button on top of the camera body. ISO sensitivity is always indicated, which is a standard feature of all Canon EOS DSLR cameras.
Dual Digic 4 Processors.
Although the 7D’s Dual Digic 4 processors are buried deep in its guts, they pack an amazing amount of power to give the 7D virtually flawless performance. The processors seem to consider the enormous 18-megapixel files mere morsels that are easily “swallowed” when processed. You are almost guaranteed never to wait for the EOS to be ready to shoot another image.
Continuous shooting mode
The 7D’s continuous shooting rate of 8 frames per second can be achieved almost “forever” when you insert a very fast card, such as the Sandisk Extreme Pro. Select RAW+JPEG, however, and the rate decreases to 7 fps. The 7D also has the option of a low-speed continuous shooting mode at 3 fps.
Auto-Focus Functionality.
Auto-focus in the 7D does an exceptional job. First it locks focus almost instantly, which qualifies as a good choice for many sports photographers. It won’t match the 1D Mark III or 1D Mark IV, but they cost thousands of dollars more. Auto-focus on the 7D has few or any problems in low light, except for a little slowness. It’s so insignificant, however, that the camera’s maximum ISO of 12,800 is fully usable.
Full-Feature Video.
HD video can be shot at 1920 x 1080 pixels (1080p) at 30, 25 or 24 frames per second, or 1280 x 720 pixels (720p) at 60 or 50 frames per second. That’s a greater range of choices than the EOD 5D Mark II. Of greater importance is that the 7D’s standard manual controls are customizable to the subject matter and provide comprehensive control of shutter speed and aperture. Plus, there is a built-in internal microphone that records mono as well as a connection for a 3.5mm external microphone that will give you stereo.
Very Low Video Noise.
It’s not surprising that the 7D’s video reveals some noise in low light conditions and high ISO selections, but it’s not very noticeable. What may be seen in the lower resolution of the 720p mode are jagged lines on diagonal edges. Again, it’s not a barrier to good video, but it’s important to know when considering whether to buy this camera.
A Competitive Winner.
You’ll have to look hard to find any flaws or problems in the Canon EOS 7D DSLR camera. Some photographers will find it preferable to the EOS 5D Mark II, especially if a full-frame sensor is overkill for the kind of photography they shoot. The 7D also stands tall in relation to its primary competitor the Nikon D300S, but any photographer considering either can’t make a wrong decision. The Canon EOS 7D is priced in the $1,400 to $1,600 range, body only.
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This article about "Canon EOS 7D" camera was first published on our website here https://www.photographytalk.com/photography-equipment-reviews/1631-12-reasons-why-a-canon-eos-7d-should-be-in-your-camera-bag
from https://photographytalkcom.blogspot.com/2020/07/12-reasons-why-canon-eos-7d-should-be.html The high resolution battle has never been more interesting and it’s certainly fun to see three cameras from the top three manufacturers competing in this fast growing market that appeals to studio, commercial and fine art photographers.
Before taking a look at what each of these cameras does best and what their strong points and weak spots are, there’s something that has to be said. The fact that this growing segment has massively narrowed the gap between DSLRs/mirrorless cameras and digital medium format cameras is a huge leap forward. Once again we see technical limitations being thrown out the window only to leave room for genuine talent and creativity.
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Canon 5Ds vs. Nikon D810 vs. SonyA7RII Sensor Resolution
But let’s get a little deeper into things. All three cameras produce large files of high resolution that can successfully be used by the top end of the photography industry. The Nikon D810 camera has a 36.3MP sensor, the 5Ds sports an impressive 50.6MP and the newest kid on the block, the A7RII has a 42.4 MP sensor. They’re all full frame cameras obviously and apart from the A7RII they’re built around the same principles as all their predecessors.
Canon 5Ds vs. Nikon D810 vs. SonyA7RII Design & Build
From a design point of view, pretty much everyone is familiar with Canon and Nikon bodies and even the Sony A7 lineup ergonomics have become pretty popular. Of the three, Sony is the smallest and while they market this as an advantage over the competition, it’s fair to note that if you mount a telephoto lens and a battery grip on the A7RII, you’re pretty much going to get the same size and weight of a DSLR.
Canon 5Ds vs. Nikon D810 vs. SonyA7RII Image Quality
But obviously, if you’re looking at any of these cameras, size and weight isn’t the most important factor when making the decision. Image quality is. Apart from the very high resolutions, it’s fair to say all three cameras produce superb image quality. There is no huge gap between one sensor or the other, although there are some differences that might tilt the balance for some pros with a sharp eye.
At base ISO, the D810 and the A7RII score better points at color sensitivity leaving the 5Ds slightly behind. However, things change on print as the gap narrows and the results are a lot more similar.
All three cameras produce exceptional detail in both RAW and JPEG formats and one thing that has to be noted about the size of the images is there isn’t that big of a difference. Sure, the D810 counts 14MP less than the 5Ds but it’s not the kind of difference that would make you jump ship.
When it comes to dynamic range, again the 5Ds fall behind with a score of 12.4EV compared 14.8EV on the D810 and 14.1EV on the A7R II. These values are true for base ISO. However things change significantly at ISO 800 where the difference becomes virtually unnoticeable.
Out of the camera ISO performance puts the Sony A7RII’s back illuminated sensor in top position with the least visible noise. However, once you import all three files in Lightroom and do a basic touch up, the difference once again becomes unnoticeable, which is somewhat surprising given all the talking about the Sony’s low light performance.
Canon 5Ds vs. Nikon D810 vs. SonyA7RII Video Capabilities
While it may not be of interest to all photographers, the video capabilities of a camera are just as important in today’s world of convergence between mediums. This time, the clear winner has to be the Sony as it is the only camera that supports internal 4K shooting. The runner-up is the D810 which does have a decent set of tools for the videographer or amateur filmmaker. The 5Ds is clearly not aimed at professionals who rely on video. Although it records in FHD format, it is obvious it was intended to be a camera purely for photography.
Canon 5Ds vs. Nikon D810 vs. SonyA7RII: Which is the Winner?
With all this in mind, who takes the cake? Although this is disappointing for some folks, the Sony is not a clear winner. Although the future belongs to the mirrorless camera, we’re not there yet. The A7RII is as good as any of the other two and no better. The grass is also no greener on either side of the Canon/Nikon fence. None of these cameras are worth giving up an entire system for. If one would have to come to an absolute verdict, it would have to be that all three are exceptionally capable cameras with very little to set them apart, other than Sony being a mirrorless. This is something to be expected in this price range and while fans from one side or the other will obviously defend their favorite camera, in reality they are all safe purchases for anyone who wants to put together a professional high resolution kit.
This blog post about "Canon 5Ds vs. Nikon D810 vs. SonyA7RII" was first published on our website here https://www.photographytalk.com/photography-articles/6145-canon-5ds-vs-nikon-d810-vs-sonya7rii from https://photographytalkcom.blogspot.com/2020/07/canon-5ds-vs-nikon-d810-vs-sonya7rii.html
Nikon has announced two new high-power zoom cameras, the Nikon COOLPIX B600 and the COOLPIX A1000, both planned to be released in February this year.
A lot of amateur and enthusiast photographers are nowadays using smartphones to capture everyday images. But, while modern phones are designed to produce photos of high quality, they often have poor zooming capabilities. If you are looking for super zoom features then check out Nikon Coolpix P1000 digital camera, we have done in-depth review for it.
Two new models announced by Nikon are compact and budget-friendly, and along with impressive zooming features, their specs will allow you to make astonishing photos for a small amount of money.
In this article, we will review the more affordable one between these two cameras – the Coolpix B600.
Nikon Coolpix B600 Specs
The Coolpix B600 is built around 16 megapixel CMOS sensor and EXPEED high-performance image-processing engine. This is a bridge camera with DSLR-like design and its most attractive feature will definitely be a 60x optical zoom NIKKOR lens.
The other notable features of this camera are a native ISO range from 125 to 6400, 1080p (Full HD) video, target-finding AF, 19 scene modes, 36 different effects, and advanced connectivity options.
Learn More:
The B600 Has a Macro and Telephoto Mode
The B600 is designed for versatile purposes. The camera has equivalent focal length from 24 to 1440 mm which means that it is useful both for macro and telephoto photography. According to Nikon, Macro mode will allow users to enjoy macro photography with shooting as close as 1 cm (0.4 in.) to the lens at the maximum wide-angle position.
On the other hand, the 60x zoom will allow you to easily shoot and record distant targets, and it should do a great job in photographing wild animals, birds, astronomical objects or on spying your neighbors (I am only joking, please don’t do this).
If this amount of zoom is not enough, the camera offers a 120x digital zoom. There is also a Snap-back zoom button which allows quick zoomed-out view and helps you to keep track of your subject. Additionally, the camera uses Vibration Reduction (VR) mechanism and 4-axis Hybrid VR which will help you to shoot sharp images even at high levels of zoom.
Learn More:The B600 Has Good Connectivity options
The Coolpix B600 has built-in WiFi and Bluetooth technologies.
Images from the camera can be uploaded to a smart device automatically, while SnapBridge app allows many possibilities such as remote shooting.
There are no jacks for microphone and headphones, but there are HDMI and USB ports.
Nikon B600 Price
With a size of 4.8 x 3.23 x 3.9″ inches and a weight of 500 g, this camera is pretty portable. It has 3″ display (921,000 dots) but it does not have touchscreen technology and it is not tiltable. Also, the camera does not incorporate an electronic viewfinder so you will need to rely exclusively on the LCD screen. Still, you can look at this as a trade-off for other benefits this camera offers.
The Nikon Coolpix B600 price is yet to be announced, but according to unofficial information, it will be around $500.
This article about "Nikon Coolpix B600 Camera Review" was first published on our website here https://www.photographytalk.com/photography-equipment-reviews/9212-nikon-coolpix-b600-review
from https://photographytalkcom.blogspot.com/2020/07/nikon-coolpix-b600-review.html
Nicole Ham turned 28 in December, and celebrated by swaddling herself up like a newborn, crafting a Pinterest-like “facts plaque” about her 28-year-old self, and allowing her photographer friend to go crazy with a "newborn" photo shoot.
“Because your best friend only turns 336 months once,” the owner of Southern Stitched Photography, Stephanie Smith, posted on her page.
Ham is pictured swaddled in a soft pink, fuzzy blanket, with a golden bow larger than the size of her face tucked around her head. A plaque next to her face proudly proclaims she is 336 months old, that she loves champagne, and hates dating in 2018.
In the wide shots, you can see a wreath of flowers and branches in a huge circle around the 28-year-old’s whole body.
In an interview with CBS Baltimore, the two said they have been friends since high school.
“As a photographer for me, I’m beyond myself that so many people have seen my photos,” Smith said.
To see the rest of Smith’s (more traditional) work, visit the Southern Stitched Photography Facebook page.
Learn More:
Via WJZ 13
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To state the supremely obvious, being on the ball and prepared for a photo shoot with a pregnant client is of the utmost importance.
Now, I’m not saying that you can pull off other types of photo shoots while being unprepared, but to be unprepared for a pregnant client is about the worst thing you can do!
Why?
Let’s face it - many aspects of pregnancy aren’t exactly fun. Your client will probably be tired, have aches and pains, and might not feel that fantastic about how she looks.
Those are all challenges you need to help her overcome!
Besides, it’s your job to make the mom-to-be look good, and you can’t possibly do that if you’re unprepared and winging it.
With that in mind, consider these quick and easy tips that will help you prep your pregnant client for this most-important photo shoot.
If Need Be, Go to Her for the Consult
There’s something quaint about house calls that harken back to the 1940s and 1950s. It showed true customer service!
In today’s world, home visits are more difficult to pull off, but in the case of a pregnant client, it’s a nice touch that won’t go unnoticed.
By going over the nitty gritty of the photo shoot - exploring pricing plans, suggested poses, when to have the photo shoot, and the like - from the comfort of your client’s home, she can rest, relax, and perhaps be more present with you as you work out the details.
This is also an ideal opportunity to work out a time of day for the photo shoot. Remember to avoid early in the morning and late in the evening (especially after a work day) to avoid having a mom that’s worn out! In many cases, late morning or early afternoon might work best, though every client will be different.
Additionally, if your client wants her maternity photos taken in her home, a home consult gives you a chance to scope out the surroundings so you don’t have to hurriedly do so on the day of the shoot. That means both you and your client will be more relaxed when the day of the shoot arrives.
A home visit gives you an opportunity to meet any family members that will be part of the photo shoot as well, like a partner or child. Meeting them and building rapport before the photo shoot will only benefit the photos you take.
Help Her Prepare
Photo by Michelle Ramirez
With your client worrying about the important things in life - her home, her job, her growing baby - there’s a good chance that she’s not going to have time to remember all the small details of getting her portrait taken.
That’s where you come in!
When you meet with your client, come prepared with a few pointers regarding what she might need to do before the day of the photo shoot. This includes personal tasks like:
But notice in the image above that the model’s hair and makeup aren’t overdone. When shooting maternity photos, erring toward a more natural, laid-back look will often pay dividends.
Being prepared also means ensuring that she’s got everything she needs to stay comfortable during the photo shoot.
For example, you might advise that she bring a pillow to place behind her back when seated, or to sit on for seated shots.
Photo by Belly Beautiful
Additionally, you might suggest that she brings a few props to include in the photo. Props can add color, texture, and even whimsy to a shot when used well. Note in the image above how the simple floral crown gives a little pop to the image without being visually overwhelming.
There are also some self-care tips you might bring up with your client as well, including:
It’s also a nice gesture if you have snacks, water, and pillows on hand in case she forgets these items herself.
Give Her Sound Wardrobe Advice
Photo by Sarah Feintstein Photography
Of course, you can meet your clients at their home and give them all the preparation advice you want, but if your client isn’t ready with wardrobe selections that make her feel good and look good too, you other efforts could be for naught.
Wardrobe is a crucial component of any portrait, but I’d argue that it’s an even more important element for maternity photography.
You want your client to be comfortable, yet feel beautiful at the same time.
That’s a hard balance to achieve for just about anyone, but particularly for expecting moms that have been uncomfortable for a long time!
At the same time, choosing outfits that don’t compete with mom’s eyes, face, and belly bump is essential. The question is, how do you accomplish all those tasks?
Photo by Little Angels by Medine
For me, you check all those boxes for comfort, style, and simplicity by suggesting a gown from Sew Trendy Accessories.
Sew Trendy specializes in creating gowns (and many other products) for expecting moms who have an upcoming photo shoot that run the gamut from full gowns like the one pictured above to simple skirts like that one seen below.
Like you, Sew Trendy is dedicated to making mom look and feel her best by complimenting her figure with a gorgeous gown that’s simple and elegant, yet elevates the visual impact of the shot.
Photo by Nikki Lenae Photography
With a wide selection of handmade gowns, Sew Trendy has a style and price point for any expecting mom. And with the gorgeous lines and textures that these gowns add to the photo, your images will have an extra level of sophistication that you can be proud of and which will make mom look like the beautiful woman that she is.
About Sew Trendy
This is a company that photographers absolutely need to be in touch with. Their gowns, crowns, and other high-quality accessories are just what you need for maternity photos, photos of newborns, and mommy and me sessions. These accessories not only make your clients look and feel great, but they also add a depth of detail and interest to your photos that elevate the images to an entirely other level. What started out with just a few people manufacturing these eye-catching items is a growing business that provides accessories to photographers worldwide. Help your clients look and feel their best by partnering with Sew Trendy Accessories.
This beautiful article about "Preparing Your Pregnant Client for Her Photo Shoot" was first published on our website here https://www.photographytalk.com/photography-articles/7292-essential-tips-for-preparing-your-pregnant-client-for-her-photo-shoot from https://photographytalkcom.blogspot.com/2020/07/essential-tips-for-preparing-your.html
A wedding can be as stressful for the photographer as it is for the bride and groom. You get one shot at getting things right, you have to deal with pretty much everyone at the event and your reputation depends on doing it well, while remaining calm, cool and polite. That's a lot of pressure, especially if you're fairly new to the process. Experienced wedding photographers, however, will tell you that there are a few simple things to remember that will help you get through the preparations, the big day and the aftermath more smoothly.
Here are a dozen important things to remember:
Communicate with the bride at all stages.
The wedding is about two people, but when it comes to the plans, it's mostly HER day. If you plan to get the images the bride wants, the way she wants them, your job will be much easier.
Spell out exactly what's included in the package.
Don't leave any margin for error in your contract with the couple. List what's included, go over that list carefully and if there's anything else needed, price it and agree on it before the signing. Renegotiating in the middle of the project isn't ever a good idea. Don't take requests from family or friends; know what your clients want, make sure they know what to expect, and then deliver what's expected.
Carry a second body and lens.
Not only is it much faster to switch cameras that changing out lenses, you'll have a backup in case something fails. This is not a job you can go back and finish later. If necessary, rent another body fr the day and put your second lens on it. Keep both at the ready at all times.
Hire or barter a second shooter.
Weddings have become more and more complex over the years and if you want to be sure you have everything covered, a trusted second shooter is a very valuable asset for wedding photo shoots. If there's not enough in your budget to hire one outright, see if you can strike up a partnership with another photographer to trade out as seconds for each other.
For church ceremonies, talk with the pastor.
Discuss photography etiquette with the pastor of any church you'll be shooting in. Don't be one of those photographers that they have to make allowances for. If flash photography is frowned on, raise your ISO and take the flash off. Remember that certain areas may be closed to the public or by invitation only, too.
Have a timeline for everything.
Know ahead of time the order things will happen and approximate times for everything, from the pre-ceremony shots to the cake cutting, toasting and party at the reception. You and your second shooter will need to know where you need to be and when. If things are delayed, which is usually the case, you'll still be prepared.
Get a good series of just the bride.
The bridal shots are important enough to warrant a shoot of their own on a separate day before the wedding. Map out a good location or locations, bring a sheet to protect the dress, someone to help the bride with her makeup and poses and spend as much time as it takes to make those shots exceptional.
Have a definite presence.
You are the most important photographer in the room. Be sure you're close to the bride and groom during those important moments. Don't hesitate to politely ask Aunt Sally to give you a little bit of room to work. Be sure that your bride and groom introduce you to the family as the photographer and explain that you have the right of way. Don't be rude, but stand your ground. Remember, you've promised to get the shots and you need to fulfill that contract.
Have something fun for people to do at the reception.
Nothing will make for dull reception photos like a bunch of people with nothing to do. This is where a photo booth, or better yet, a Gifyyy can be your best asset. Get the guests involved in creating some hilarious animations that they can send to their smart phones and share right from the reception hall. There are some other real advantages for you, too. Check out Gifyyy here.
Work with the kids.
The children are a very important part of the ceremony and the celebration. Give them their fair share of your attention and learn to talk to them, no matter how intimidated you are. If you can get the kids to relax, the adults will notice.
Bring something to climb on.
One of the last things you may think about including in your gear is a ladder. You'd be surprised, however, at how many shots will change drastically for the better from a slightly higher vantage point. a folding step stool or ladder will come in handy.
Know Your Gear Intimately.
This should go without saying, but struggling with settings or setting up your gear isn't just going to look bad, it's going to slow down processes that need to flow smoothly. Don't even consider shooting a wedding unless you have a close personal relationship with every piece of gear you'll be using.
So, are these the only things you need to know in order to get through a wedding assignment smoothly? Not even close. They do seem to be the ones that newcomers struggle with often, however. Master these twelve things and your chances of surviving the shoot with your reputation intact will be much higher. Good shooting!
This post about "Wedding Photo Shoot" was first published on our website here https://www.photographytalk.com/photography-articles/6473-12-tips-for-a-smoother-wedding-photo-shoot from https://photographytalkcom.blogspot.com/2020/07/12-tips-for-smoother-wedding-photo-shoot.html
Part of the work of a photographer, besides showing up with a camera and releasing the shutter, is to make sure that he or she has all the elements required to put an idea into practice. Finding the right model is a merit equal to that of producing the final images, but it’s not necessarily an easy task. This is especially true if you are just building a portfolio and you don’t have a lot to show. Here are a few tips to help you build and maintain relationships with the models that are best suited for your work.
Start with your close ones
This might seem like the obvious first step, yet many overlook it. Photographing a friend or a family member can be a great way to get started in working with the model. There is the obvious advantage of knowing the person, and while it may not work with everyone, you could find one or two friends who can make good models. The portraits of friends and family may not be your best photos in the long run, but they can sure be a great way to build new working relationships. Working with someone you already know is also good practice because it will teach you how to give directions while keeping everything light hearted and tension free.
Use dedicated websites
Luckily, there are specialized websites full of both aspiring and professional models. Model Mayhem is one of the best examples. Websites like these are designed to facilitate the connection between photographers, models, make-up artists, hairstylists and so on. Joining them is usually free, although there are professional accounts. The big advantage is that you have a great chance of finding models with experience close to yours, as well as more experienced people from whom you can learn. The more experienced models might charge you for their time, but usually it is well worth it as it will be a lot easier to explain what you’re looking for. If you’re just starting off, consider working on a TF (time for prints or a CD with the photos) basis, as it will enable you to work with more models without spending money that you could otherwise use to buy props.
Maintain successful relationships
Once you find one or more models that are easy to work with and help you take great photos, try to keep in touch. Don’t leave it at just one photo shoot, because if it worked once, it will probably work the second time. Of course, you shouldn’t build your entire portfolio with just one or two models, nor should you photograph the same person every other week (unless it’s for client), but try to build a network over time that will allow you to work with the best possible model for each specific occasion. Once you build credibility and begin collaborating with better-known models, there is also a chance of increasing visibility and attracting possible clients.
Facebook is also a way of finding talent; however you might have to be extra careful in how you suggest a shoot. Since it’s not a professional network, models, especially women, might be concerned about what it is you really want.
Every now and then you will come across models that aren’t as good as you would have hoped. You will notice that fairly quickly in a shoot, but make sure to remain polite and professional. Don’t cancel everything and make him or her have a bad day. Instead, try shortening the session and politely inform the person you’re photographing that you have to wrap things up a bit quicker than expected. These unwanted events might happen from time to time, but having the right attitude will keep your reputation intact.
This article about finding models for photoshoots was first published on our website here https://www.photographytalk.com/photography-articles/3176-how-to-find-models-for-photo-shoots
from https://photographytalkcom.blogspot.com/2020/07/how-to-find-models-for-photo-shoots.html
Getting started in portrait photography requires a lot of practice, patience, and skill.
Of course, there are many other factors involved as well.
Sometimes, in order to get over the hump and really be successful, you just need a little encouragement and a few tips to help you refine your approach.
That's where this tutorial comes in...
We reached out to our good friend Kat Armendariz, a published studio photographer in Las Vegas, to provide a few must-have tips for aspiring portrait photographers.
More specifically, Kat is an incredible boudoir and glamour photographer whose work has a unique, beautiful, and gritty vibe to it.
Without further ado, let's get started!
How to Start a Boudoir Photo Shoot?
From Kat:
"Typically, my boudoir and glamour clients don’t know what they want. It’s my job to “interview” them to find out who they are, what they like, and what their personality is like.
I seldom get to plan...well, never get to plan as if it’s a well orchestrated product shoot. So you can toss ALL OF THAT out the window!
You’ve got to think on your feet and plan to scratch ideas that you spent all night preparing.
It doesn’t mean you come unprepared - it means you come prepared with your ideas, but with a plan to troubleshoot and pull ideas out of your ass!"
Top Tip: Get to know your clients! Spend at least one hour with them just chatting about their life. Do this a few weeks before the photo shoot.
Get to the Heart of the Client
Go beyond just talking with the client and asking them a million questions. It's important to get to the essence of who they are and what they want.
When asked how the look for the image above came about, Kat noted:
"Emilia came to me in cute, funky clothes and had a vision to capture her many fashion styles. She wanted to capture her sexy looks in her 40s before they were gone.
She's a successful entrepreneur, and is what I call a "Boss Babe." She's kickin' ass and takin' names!
She had many, MANY outfits, and I knew she loved the grungy, gritty, sexy, goth look with some glam sprinkled on top."
Really getting to know your clients, what drives them, and makes them who they are can inform you as to the direction the photo shoot goes.
Kat’s studio manager and lead hair stylist, Vanessa Witholt, often “tag-team” during hair and makeup to fill each other in on the client. Knowing her vulnerabilities helps us diffuse any potential situations, sometimes referred to as “melt-downs” lol!
In this case, since Emilia has an edge to her, Kat went in an edgy direction with the photo shoot.
Be Prepared to Spend a LOT of Time Shooting
Creating gorgeous, detailed portraits takes time. In that regard, this isn't like getting your school photos taken for the yearbook...
Instead, be prepared to invest a few hours into the photo shoot and many more hours in post-processing.
In fact, the image above is just one of 12 full sets, ACTUAL SCENES, that were accomplished over the course of 5 1/2 hours of shooting alone. Even though that is a long period, it is record time! That does not include consultations, setting up, hair and makeup, post processing, client reveal and album preparation.
Don't Be Afraid to Accessorize
Using props and special effects in portrait photography can go wrong real fast, but when they're used in a way that's thoughtful and purposeful, they can really add a lot of depth and visual interest to the shot.
From Kat:
"When shooting my back alley scenes in my studio, I love to use my fog machine, ladders and place old crates and random studio equipment in the shot. I prefer to use constant lights, as if street lights are cutting through the fog on a dark night.
I like to tell a story, maybe a secret story...
A bartender taking a cigarette break out back? Maybe. I let the viewer decide why she's there.
Some things don't make sense, but I like it that way!"
And when it comes down to it, creating epic portraits really is all about the client and you and the bond you create.
Sometimes you'll break the rules. Other times you'll adhere to them. But what you should always do is get to know the client, listen to their needs and wants, and prepare a photo shoot that allows you to highlight who the person is and what they are about.
If you can do that, you'll be ahead of the game!
Gear Used for This Image:
About Kat
Kat Armendariz is a published studio photographer in Las Vegas. She has a passion to create out-of-the-box portraiture and to give women an experience that will be a stepping stone to new found confidence.
Her photo studio sits in the heart of Las Vegas where she gets to work with incredible clients from all over the globe. Her studio, hushXpose, is a compilation of her two studio names: Hush Hush Shoot (boudoir photography), and Pose Las Vegas (glamour photography).
hushXpose offers an all-inclusive Hollywood experience where Kat and her all-female team work with clients one-on-one to create custom sets and scenes tailored to their clients.
Kat and her husband, Ephraim Armendariz, also own the US District for Click Props Backdrops, which specializes in professional-grade heavy-duty vinyl studio backdrops. Click Props Backdrops let you choose from an extensive and exclusive range of multi-award-winning backgrounds and floorgrounds to give you the opportunity of offering clients a multi-set portrait experience.
This article about "Back Alley Photo Shoot" was first published on our website here https://www.photographytalk.com/photography-articles/231-portrait-photography-tips/8989-kat-on-the-web-unleashed-back-alley-photo-shoot-secrets-revealed from https://photographytalkcom.blogspot.com/2020/07/kat-on-web-unleashed-back-alley-photo.html |
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